← Back to Journal
Untitled
Working mainly in pencil, watercolor and oil, Onsi spent hours observing a subject before starting a rendering. He tried to remove “traces of himself as a rationalizing being and to react unselfconsciously with precise draughtsmanship, direct brushwork, and heightened sensitivity to optical effects.” This work is a classic Onsi, a natural landscape with dynamic brushwork that gives the scene a sense of movement and energy.