Starting in the mid-90s, Adnan Sharif was experimenting with different shapes and sizes of canvas, similar to the triangular top of “Untitled.” As a well-respected artist, “His paintings became famous after the mid-1970s in Beirut and Germany through the subject of Palestinian exile… When he arrived to Amman in the early nineties, his work had an expressive mix between jazz and color with a poetic uniqueness in abstract configurations and contributed to the enrichment of the artistic community” said artist Khalid Khreis.